ARSP Advisory Board member and project co-originator, Kathryn McClymond, has a wonderful blog post up about her work with the ATL Maps project, in which she reflects on the value of sound mapping for studying and teaching about Atlanta’s religious diversity. We are excited about bringing our projects together in the near future. Stay tuned!
By Lauren Pond
In 2015, when I initially got involved in the American Religious Sounds Project (then the Religious Soundmap Project), my very first assignment was to attend an Eckankar seminar in Dublin, Ohio. Eckankar centers on the idea that humans are connected to God through a divine spirit, which can be “heard as sound and seen as light.” One of the cornerstones of Eckankar is the HU song, a chant that adherents say allows them to raise their consciousness and become closer to the divine.
Text by Amy DeRogatis
Recordings by Emma Pittsley
Photographs and Audio Editing by Lauren Pond
On Saturday, April 15, the Michigan State ARSP research team attended the Holy Saturday Divine Liturgy service at Holy Trinity Greek Orthodox Church in Lansing, Michigan. After the service, we joined congregants to help wrap red eggs for that evening’s celebration after the Paschal Vigil. During Thursday of Holy Week, congregation members had dropped off dozens of eggs that had been dyed bright red. These were ready to be wrapped in tulle on Saturday.
By Amy DeRogatis
Last Sunday, April 2, 2017, I participated in an interfaith pilgrimage through the streets of East Lansing. To prepare for the event, I spent a few days reading and thinking about pilgrimage. Why do people take pilgrimages? What do they hope to accomplish? Where are they seeking to go? And, significantly for this project, what are the sounds that I might expect to hear while on a pilgrimage?
Text by Caroline Toy
Recordings, editing, and photographs by Lauren Pond
At many sites and events where ARSP researchers record, we try to make ourselves barely noticeable to the community. While we get permission to record and answer questions openly, it’s not unusual for us to document a service or festival understanding that our recordings are only an auditory snapshot, a single, ephemeral slice of religious life at a particular place and time.
Recordings, photographs, and text by Lauren Pond and Isaac Weiner Audio editing by Lauren Pond
One recurring motif to which the ARSP team has been attuned is how different sounds–including those deemed religious and those deemed secular–intersect and overlap in particular social contexts. We are interested in what it sounds like when religion spills outside of the institutional boundaries meant to contain it and, conversely, how the ambient sonic qualities of a given social situation shape the experience of religious life. In these moments, sound becomes a point of contact, mediating interactions among diverse religious communities, between religion and its broader social environment, and between human practice and the natural world. The following clips offer a few examples of what we have found.
1. Isha prayer at the Noor Islamic Cultural Center
Congratulations to ARSP multimedia content producer Lauren Pond, who won the 2016 Duke University Center for Documentary Studies/Honickman First Book Prize in Photography for her color series, Test of Faith. Her photography project, in progress since 2011, documents a family of Pentecostal serpent handlers in West Virginia. In fall 2017, Lauren’s photographs and narrative essay will be published in a book by CDS and Duke University Press.
By Bree Gannon
The Imam prays. A baby cries. This is the human in ceremony, the spontaneous in orchestration.
I made this audio clip from material I recorded at the Muslim celebration of Eid-Al-Fitr, the end of fasting for the month of Ramadan. It was my first time attending an Islamic service. As I observed, I noticed the children: They climbed in their parents’ laps, exchanged small gifts, ran around, and talked with each other. Having grown up in a religious tradition where children were tucked away in nurseries and church basements, this was a novel experience for me.
The Michigan State University research team met with Professor Amy DeRogatis (co-director of the ARSP) on Friday, January 13, 2017, to map out its work for the spring semester. Our team includes five undergraduate researchers and project manager Bree Gannon, a PhD student in WRAC.
This spring, our team plans to record religious sounds related to food. During our brainstorming session, we discussed recording some of the following sites and activities to get us started: Lenten fish fries, faith-based soup kitchens, Friday night hot dog ministry on Grand River Avenue (we are looking at you, Christopher!), langars, coffee hours after a church services, Shabbat meals, the giving and receiving of prasad, Greek Orthodox Easter feasts, and a halal butcher shop.
Recordings by J. Caroline Toy, Isaac Weiner, and Lauren Pond
Audio editing by Lauren Pond
Photographs by Lauren Pond and Isaac Weiner
Religion is often portrayed as a discrete entity – as something that’s confined within the four walls of a church, mosque, temple, synagogue, or the like. Our current work on the American Religious Sounds Project begins to challenge these assumptions. Through our field recordings and essays, we have started to explore how religious sound can seep out of its traditional confines and interact with the surrounding sonic environment – sometimes in a confrontational manner, and sometimes in a more symbiotic one. We’re examining how sound can serve as a point of contact between different faiths, between religious and secular spheres, and among religious followers themselves.